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Frank Schwarz in front of the shop, Atlantic City (1930s)
Robert’s eldest son, Robert D. Schwarz, Jr.,
attended the Shipley School in Bryn Mawr and graduated from Villanova
University in 1999. He worked as a senior technical engineer for online
stock trading websites, but the allure of the family business soon proved
irresistible, and he joined the gallery in 2002. “Robert Jr.”
became the firm’s third-generation president after his father’s
untimely death from cancer in 2004. Dedicated to perpetuating the
gallery’s long tradition of excellence and expertise, he is currently
modernizing its facilities and using his considerable technological skills
to give it a greater presence on the Internet. He is committed to
continuing the gallery’s dedication to scholarship and supervised the
production of its most recent sales catalogue, The
Poetic Impulse: Robert Kirtland Mygatt (2005).
By organizing the present exhibition and its accompanying catalogue, Robert
has brought to fruition a project that was originally envisioned by his
father.
This exhibition consists of seventy-five paintings and
drawings, each of which symbolizes a year that the Schwarz Gallery has been
in business. All of these works, which range from the late eighteenth
through the late twentieth century, have a strong connection with New
Jersey in that they represent people or places in the state and were
painted by artists who were born there, resided there, or worked there at
some point in their careers. The artists are considered American despite a
wide range of national origins. The sole exception is the British artist
William Constable (1783–1861), who made his sketch of the Great Falls
of the Passaic during an extensive tour of the United States in 1806. The
full range of subject matter comprises marine and landscape views,
portraits, still lifes, and sporting pictures.
Native New Jersey artists and longtime residents are
represented by William C. Bonnell (1804–1865) of Clinton, Charles
Spencer Humphreys (1818–1880) of Moorestown, George Emerick Essig
(1838–1926) of Atlantic City, Frank Waller (1842–1923) of
Morristown, Frederick H. Clark (1862–1947) of Trenton, J. D. Sorver
(dates unknown) of Haddonfield, the obscure David M. Krick (dates unknown)
of Newark, Edith Lucile Howard (1885–1960) of Moorestown, the
eccentric Hugh H. Campbell (c. 1905–c. 1995) of Mount Holly, and the
contemporary artist Daniel Chard (born 1939) of
Woodstown. Particularly noteworthy among the native New Jersey artists are
the rare still-life and trompe l’oeil subjects by the women Amelia
Rumsey Patterson (born 1869) of Salem, Cecilia A. Cain (dates unknown) of
Bordentown, and the mysterious Ella N. Griffith (dates unknown), who was
probably from Orange.
Some of the most prominent nineteenth-century
Philadelphia landscape and marine painters vacationed in and around
Atlantic City. Included in the exhibition are works by Thomas Birch
(1779–1851), George Robert Bonfield (1805–1898),
James Hamilton (1819–1878), Herman Herzog (1832–1932),
William Trost Richards (1833–1905),
Edmund Darch Lewis (1835–1910), and
Xanthus Smith (1839–1929). Lesser-known names include Johann Hermann
Carmiencke (1810–1867), Frederick De
Bourg Richards (1822–1903), Newbold Hough Trotter (1827–1898),
and Peter Caledon Cameron (dates unknown). Portraits by Christian Gullager
(1759–1826), Oliver Tarbell Eddy (1799–1868), and William E.
Winner (c. 1815–1883) depict residents of Freehold, Newark, and
Bordentown, respectively.
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Copyright ©2005 The Schwarz Gallery
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