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Schwarz Antiques Interior, Atlantic City (1930s)
The gallery’s subsequent development in
Philadelphia was related in The Schwarz Gallery:
Fifty Years on Chestnut Street (1993).
Marie became an active presence in the firm in 1961. Noting that her
husband “loved the hunt and buying,” she encouraged a new
emphasis on retail sales and renovated the gallery accordingly. This was an
opportune year to make the transition, because American antiques became
extremely popular after the new First Lady Jacqueline Bouvier Kennedy began
her extensive program to remodel and redecorate the White House. The store
was incorporated as the Philadelphia Antique Shop in 1968. Over the years
the Schwarzes sold many rare examples of silver, china, and furniture to
prestigious museums and private collections.
Frank’s son Robert D. Schwarz, Sr. (familiarly
known as “Robbie”), joined the firm in 1964 after graduating
from Dickinson College. He also developed the retail side of the business,
and took a special interest in nineteenth-century American and European
paintings. Frank had purchased a large collection of such paintings and
sculpture from the Ridgway Branch of the Library Company of Philadelphia
during the late 1950s, when the group left its historic Greek Revival
building on South Broad Street and relocated to their present site on
Locust Street. Although nineteenth-century art was out of fashion at the
time, Robert became fascinated with the collection and had the paintings
cleaned, restored, and framed. His decision to focus on American fine art
was an opportune one, as the market demand increased greatly during the
years leading up to the Bicentennial in 1976. Robert gained additional
knowledge when he worked as the curator of the Stephen Girard College and
wrote a catalogue of its collection in the 1980s.
Robert took over the gallery after Frank’s death
in 1985. Under his leadership it achieved recognition as one of the
nation’s foremost specialists in American and particularly
Philadelphian artists from the colonial through the early modernist
periods. It was Robert, with his genuine love and enthusiasm for
scholarship, who initiated the gallery’s tradition of publishing
carefully researched sales catalogues, among which the most notable are A Gallery Collects Peales (1987),
with entries on paintings by sixteen members of the Peale family, and 150 Years of Philadelphia Still-Life Painting (1997),
consisting of essays by twenty renowned art
experts. Gallery catalogues have done much to revive interest in
Philadelphia artists such as Paul Weber, Herman Herzog, Anna Richards
Brewster, Franklin Watkins, Russell Smith and his son Xanthus Smith, James
Reid Lambdin and his son George Cochran Lambdin, and Benjamin Ferris Gilman
and his wife Claudine Scott Gilman.
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Copyright ©2005 The Schwarz Gallery
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