This year commemorates the Schwarz Gallery’s
seventy-fifth anniversary. I wanted to honor this event with a project that
both remembered our past and celebrated our future. It seemed only fitting
that we would put together an exhibition that had been on my father’s
mind for nearly twenty-five years and would have special meaning given the
gallery’s beginnings in Atlantic City, New Jersey. The exhibition
consists of paintings and drawings by nineteenth- and
early-twentieth-century artists who either were born in New Jersey or
represented the state in their works. It happened to transpire that our
seventy-fifth anniversary exhibition would feature our seventy-fifth
catalogue and contain seventy-five paintings.
Long before I joined the gallery in 2002, this
exhibition had been a part of my life. I recall little detours during
family vacations that would lead us to an old antique shop where my father
would admire a stack of dusty paintings in the corner, or to the home of an
avid collector with so many paintings that they were piled against the
wall. Every once in a while he would find something of interest, and on
even rarer occasions he would find something for the “Jersey
Catalogue.” These words always meant something special to my father.
He always had a dozen different catalogues in various stages of development
in his mind, but the “Jersey Catalogue” was exceptional. It
made no difference how much he wanted to sell a painting; he was always
willing to put a work aside for that catalogue. The project was so
important to him, in fact, that he never completed it—always looking
for that next great painting.
I would like to thank many people for their help and
encouragement in this endeavor. Matthew North, Christine Poole, and Nathan
Rutkowski are an invaluable support team. I can count on all of them to put
forth their best effort in every circumstance, and this catalogue would not
exist without them. Dr. Robert Torchia has combined a wealth of knowledge
and research in his text, upholding the high standards of the Schwarz
Gallery catalogues for scholarship and interest. As always, we would fall
apart here at the gallery without Betty Mondros and her straightforward
attitude. My family—Marie, Pamela, Elizabeth, and Jonathan
Schwarz—always provide unwavering support and excellent advice. I am
grateful to Deepali Verma, my fiancée, for her unique insight into
the art world, which I have grown to depend on, and for her encouragement
at even the most stressful times. Special thanks also go to: Alice Boggs,
librarian of the Salem County Historical Society, Salem, New Jersey; Edward
Burke, Jr., Old Tennant Church in Freehold; Claire Constable, biographer of
William and Daniel Constable; David Judson, descendant of William Lees
Judson; Terry Karschner of the New Jersey Historic Preservation Office,
Trenton, who generously provided much useful information; Karl Kusserow,
curatorial assistant for American collections at the Princeton University
Art Museum; Cheryl Leibold, Archivist of the Pennsylvania Academy of the
Fine Arts in Philadelphia; Dorothy Lodovic, Atlantic County Historical
Society; David B. Rowland, President of the Old York Road Historical
Society in Jenkintown, Pennsylvania; and Katherine Tassini, Librarian,
Haddonfield Historical Society in Haddonfield, New Jersey.
New Jersey Remembered has
been a long time in the making, and I am proud to be the member of the
Schwarz family who is responsible for bringing it to completion. I am
confident that this is a milestone that we will look back on with pride at
our one-hundredth anniversary.
—Robert D. Schwarz, Jr.