|
|
recto
verso
Hermann Herzog
(1832–1932)
Atlantic City
Pencil on paper, 3 3/4 × 6 inches
Inscribed at lower left: “A. City”
Inscribed on verso at lower left: “A. City”
Herman Herzog was born in Bremen, Germany. He enrolled in the Düsseldorf
Academy in 1848, studied with Andreas Achenbach (1815–1910) and Johann Wilhelm
Schirmer (1807–1863), and also took private lessons from the Norwegian painter
Hans Frederick Gude (1825–1903). Herzog visited Norway in 1855, and the dramatic
mountain views he painted there earned him great critical acclaim throughout
Europe. He immigrated to the United States around 1870 to escape the political
turmoil in Germany and settled in Philadelphia, where his landscapes had been
exhibited at the Pennsylvania Academy of the Fine Arts since 1863. Herzog traveled
widely throughout the United States over the next sixty years in search of
scenic landscapes and intermittently exhibited at the Pennsylvania Academy
until 1880. By that time he had made a fortune through investments in the Pennsylvania
Railroad, and for the remainder of his long career he painted strictly for
pleasure in his main studio and residence at 4104 Pine Street in West Philadelphia.
Herzog’s later work shows the influence of the French Barbizon painters, and
he often painted twilight woodland scenes of picturesque areas around Philadelphia.1
Evidently Herzog, like so many Philadelphia artists represented in this exhibition,
vacationed in Atlantic City and made impromptu sketches of picturesque things
he encountered on the beach. These undated drawings are from a page in the
artist’s sketchbook. The position of Absecon Lighthouse, visible in the background
behind the wooden structure at the water’s edge, suggests that Herzog’s vantage
point was from Brigantine, looking south across Absecon Inlet.
Copyright ©2005 The Schwarz Gallery
|
|